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Re: Eclair Cameras: That Stupid Connector! :-(

Hi, Raymond

I sell raw stock, whatever you want. There's no Fuji Reversal in 16mm
though. With respect to shooting reversal 16, I've also wondered about the
advisability of shooting reversal 16. One reason I'd like to try is you have
one step to blow-up to 35mm negative. What I'm concerned with is sharpness,
not color rendition.



----- Original Message -----
From: "Raymond" <roelrich@shaw.ca>
To: <EclairACL@topica.com>
Sent: Sunday, August 03, 2003 3:02 PM
Subject: Re: Eclair Cameras: That Stupid Connector! :-(


I thank you for your insight into reversal film. I am also shooting 100
rolls, and love them! I load them in daylight and have no problem with
shooting wildlife films. That is not easy when you are using 400 ft mags
run out of film, and have to carry not only the film, but the changing bag
as well out into the field. I am getting a back up camera to have one
loading while I am shooting the other one. (Need an assistant!)

What ASA film do you shoot for reversal film? I have access to some
Kodachrome, as well as other Kodak reversal film, and would like to shoot
it. Anyone have any experience with Fuji reversal film? For outdoor
with wildlife, what film would you suggest?

Anyone know where to get recanned or short end film in 16mm, either
or reversal?



----- Original Message -----
From: "Michael Welle" <mwelle@starband.net>
To: <eclairacl@topica.com>
Sent: Sunday, August 03, 2003 8:44 AM
Subject: RE: Eclair Cameras: That Stupid Connector! :-(

> Correction in last message: And everyone says "Don't shoot negative,
> shoot reversal."
> That should actually read: And everyone says "Don't shoot reversal,
> shoot negative."
> Michael

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