Eclair Cameras: Super 16mm problems of the medium

[Vic Alexander <vic@releasing.net>]

Hi.
This is an open question to the forum. Aren't the problems of shooting Super 16 instead of regular 16mm too many and too costly? Okay, so you gain a smidgen of quality, but there are better film stocks now -- is it worth all the trouble? And I'm not talking about the expense of the conversions of the camera, but the lab problems, the post-production problems and the blow-up problems. Finally, what's wrong with shooting 16mm?

Cordially
Vic

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