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Eclair Cameras: Super 16mm problems of the medium

This is an open question to the forum. Aren't the problems of shooting Super 16 instead of regular 16mm too many and too costly? Okay, so you gain a smidgen of quality, but there are better film stocks now -- is it worth all the trouble? And I'm not talking about the expense of the conversions of the camera, but the lab problems, the post-production problems and the blow-up problems. Finally, what's wrong with shooting 16mm?


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