There are, nevertheless, situations when having an internal
lightmeter
would prove invaluable. Let's say you were walking down the
street and
you saw a UFO. I can pretty much assure you that you don't want
to be
taking out your lightmeter and calculating F-Stops at this time--
no
matter how much more accurate it would be.
One of the great things about the Canon Scoopic and its M and MS
versions were/are the ability for auto iris. Yes, film snobs
around the
world will tell you that you should always be calculating your
readings
with a light meter--but in the real world the built in lightmeter
solves
tons of problems. I remember being able to do long tracking
shots with
the M or MS because it could compensate when you moved from an
area of
lightness to darkness instantaneously. How were the seemingly
endless
tracking shots in "Goodfellas," "The Player," and "Snake Eyes"
accomplished? I can't imagine these being done with the operator
manually adjusting the iris. Why do all of the leading video
camera
manufacturers put auto iris onto their cameras--because it makes
shooting much less dicey, gives you less headaches if in the
opposite
situation you had taken inaccurate readings and it gives the
inexperienced videographer or filmmaker the ability to make movies
without having to worry about the painstaking process of light
readings.
Yes, in some instances manual light readings may make a slightly
better
exposed picture. But when the pressure is on its often more
reliable to
put your trust into a filmmaking machine rather than (to quote the
Sex
Pistols) "a human machine." In essence, auto irises and built-in
meters
add to the democratization in filmmaking.
While the ACL does not have an automatic lightmeter like the
Scoopic,
its built in light meter allows you to determine the light reading
for a
static shot or a shot without much lighting change (although a
safer bet
would be static shots). In a previous post it was inferred that
reaching up and changing apertures with the Eclair ACL was
essentially
futile. In order to change F-Stops while the camera is exposing
film
you have to adjust the iris poteniometer while the camera's
shutter is
running (let's say at 24fps). If you calibrate the meter without
the
camera's shutter moving you will get inaccurate readings (if you
take
your readings while film is being exposed). If, on the other
hand, you
take readings before the shutter is moving then you should
calibrate the
meter by adjusting the potentiometer without the shutter in motion
(this
is how I expose film). According to what I understood from a
conversation with Bernie O'Doherty, having red diodes activated
while
film is running through the camera can lead to flicker problems.
I have
spoken with Bernie about creating an on/off switch for my camera
which
will allow me to de-activate the light meter after I've taken a
reading
and before I am about to run film through the camera. I wonder if
the
previous post entitled EXP ON/OFF switch is related to this?
Now that I'm clear on all of this, it leaves me with two
questions: 1)
Does the internal light meter go up to ASA 800 or ASA 400?
2) Does anyone have any other suggestions on how to make the
internal
light meter work with Super 16?
Since the Eclair ACL is such a light weight compact camera it only
makes
sense that it should have a built-in light meter. The techs at
Eclair
were smart enough to realize this for Regular 16. Even if you
dislike
the built-in metering, it would be nice to have others understand
that I
am one voice in this community (who may be among others) who does
believe in the built in light meter for the reasons mentioned
above.
For people like me, who believes in automation at a fair price, It
would
be great to keep the simplicity and democratization of built-in
light
metering as an option for Super 16 with the ACL.
Gerald.L.Loessberg-1 wrote:
>
> This is only my opinion and there are quite a few here on
topica, but
> having a light meter that informs the operator that the lighting
> conditions have changed is not very helpful. While shooting,
what are
> you going to do, reach up there and change apertures, good luck.
Most
> experienced dp´s check their external meter between shots.
Modern
> telecine will let you compensate for minor or for that matter
even major
> exposure changes inside a take. There is no replacement for
> understanding exposure and taking a moment to analyze your scene
and
> what your gaffer has done to it. Take the meter out . If you
want an
> ARRI SR S16 then buy one and quite trying to make your ACL into
one. The
> ACL when healthy is quieter, lighter and more flexible than the
SR will
> ever be. Eclair has achieved the sublime in this camera and
remember
> that the Arri SR was in fact designed after the Eclair NPR,
neither of
> which is as quite as a healthy ACL. The ACL with the 200´ mag
is the
> smallest professional camera on the market and if it has been
modified
> properly with Mark´s Gold kit, ( he still has some available) it
is the
> coolest. Whatever cool is worth. Have your camera serviced by
a good
> tech, converted and start shooting. That is what the camera was
> designed for, shooting.
>
> ----- Original Message -----
> From: Mark <super16acl@aol.com>
> Date: Wednesday, July 9, 2003 8:00 pm
> Subject: Re: Eclair Cameras: Light Meter Issues
>
> > It would certainly be a pain to try to retain the light meter
with
> > a Super-16
> > conversion, and frankly I've never done it. But I can
visualize
> > how it would
> > be accomplished.
> >
> > It could involve replacing the convex lens on the prism with a
> > longer one,
> > using a wide angle diopter on the viewfinder to see both the
light
> > meter and the
> > full super-16 frame, and ultimately the circle in the finder
that
> > represents
> > where the reading is taken would be off-center of the image. I
> > gave
> > suggestions in the HD-144 manual for those who wanted to try,
but
> > I think it may fall
> > into the category of either "Life is too short" or "the cost
is
> > more than the
> > camera is worth." But check with Bernie O'Doherty. Also,
August
> > Loessberg has
> > been playing with enlarging the field of view through the
finder,
> > which would
> > be a major help. Mark.
> >
> >
> >
>
Michael Welle
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