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Re: Eclair Cameras: Color Reversal Film
Exactly! I would then be able to use the same lenses on the Nikon as I do on
the 35mm camera. Right now I am leaning toward an Arri 2C converted to
Nikon, BUT then I can only use Nikon lenses, as they have to remove the face
to put on the Nikon lens mount. Has anyone use this?
Raymond F. Oelrich
President and Publisher
Big Game Adventures magazine
www.BGAMAG.com
----- Original Message -----
From: "eric jarvies" <eric@earthid.org>
To: <eclairacl@topica.com>
Sent: Sunday, August 03, 2003 6:26 PM
Subject: Re: Eclair Cameras: Color Reversal Film
raymond,
that is a good point. if that is the case, you should then consider
purchasing movie film stock that has been packaged on 35mm still camera film
rolls! this way, you will get an exact match!
-acl camera with nikon lens and 400' kodak 50d movie stock
-still 35mm camera with SAME nikon lens and 36 exposure of SAME kodak 50d
movie stock
use the same colorbar/slate on movie camera scenes, and on first
frame/exposure of roll of film, and bingo ... about as close a match as you
can get. correct? or am i way off base here?
---------- Original Message ----------------------------------
From: Raymond <roelrich@shaw.ca>
Reply-To: EclairACL@topica.com
Date: Sun, 03 Aug 2003 15:19:58 -0700
>Thanks a lot! By the way, what prices do they charge you for film and
>developing, compared to negative film?
>
>One reason I am considering shooting on reversal film is that I own a
>wildlife magazine, and if I shoot in 35mm with the same film stock, I can
>match the photos and film easier when using Nikon lenses (by putting the
>photos of animals onto the finished film or video and inter cutting the
film
>with 35mm photos) AND use the 35mm movie footage in my magazine. In
essence
>the movie camera becomes a motor drive of 24 fps for using that unique,
once
>in a lifetime frame as a PHOTO in the magazine.
>
>This is why I prefer transparency film in either the magazine or the
movie
>camera.
>
>That is why I was interested to know.
>
>Lastly, when you put it onto video, do you see any more saturation with
the
>reversal film than negative film?
>
>Raymond
>
>----- Original Message -----
>From: "Michael Welle" <mwelle@starband.net>
>To: <EclairACL@topica.com>
>Sent: Sunday, August 03, 2003 3:12 PM
>Subject: Eclair Cameras: Color Reversal Film
>
>
>>
http://www.bhphotovideo.com/bnh4/controller/home?O=productlist&A=details&Q=
&sku=166984&is=USA
>>
>>
>>
http://www.bhphotovideo.com/bnh4/controller/home?O=productlist&A=details&Q=
&sku=279268&is=USA
>>
>>
>> The above links are an easy way to get Kodak 7239 and 7250 color
>> reversal film. These are my favorite filmstocks for shooting color
>> reversal. The 7239 is great for shooting outdoors with a daylight
>> rating of 160 and the 7250 is awesome for shooting indoors with a
>> tungsten rating of 400. The colors are very vibrant on both stocks.
>> You can also purchase it at the Film Emporium, although they don't
>> always have exactly what you need in stock at all times.
>>
>> I will try getting mine processed at Bono Film and Video next time.
>> I've included the link below:
>>
>> http://www.bonofilm.com/menu2.asp
>>
>> Unfortuntaely I haven't used Fuji Reversal film yet.
>>
>>
>
>
>
>
--
eric martin jarvies sr
cabo san lucas, bcs mexico cp 23410
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