Eclair Cameras: Registration

[Mark <super16acl@aol.com>]

I absolutely agree that registration on a subliminal level is very, very 
important. My biggest gripe is that the registration of 35mm theatrical projection 
is far less steady than that of a high quality 16mm camera. :-)  Mark. PS - 
I'm lucky to have ACLs that I can't see the slightest scintilla of frameline 
breathing in short of walking right up to the screen and watching for a while to 
try to notice something. On an ACL, I imagine that registration might decline 
somewhat as the claw is worn over the years, or as things go out of factory 
adjustment --- but that's just a guess. Techs out there??????  

Of course the acid test is to Superimpose some credits shot with an ACL 
overtop of ACL footage from the same camera, which I'm just about to do (this 
should properly be done optically in the blowup to 35mm from a parked frame of the 
titles, but I'm trying to finish post on-the-cheap using A, B & C rolls).

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