Re: Eclair Cameras: T-max versus 7245

[Mark <super16acl@aol.com>]

Issues of grain aside ... I believe that real B&W film, photographed and lit 
correctly for B&W contrast, has a unique look when projected that can't be 
duplicated when color neg is printed in B&W. Perhaps I'm being too Artsy here. 
All I know is that when I see an original 35mm print of Citizen Kane, or the B&W 
Nykvist/Bergman films of the 50s, there has been nothing like that look to 
come out on the silver screen since the demise of real B&W, (except perhaps 
SHINDLER'S LIST and some of WOODY ALLEN'S MOVIES).

And B&W negative is archival .... color neg is not.  Just food for thought. 
I'll bet that a T-Max print projected in a theater at the proper color temp for 
B&W would look stunning.   Mark.

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