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RE: Eclair Cameras: film
I mostly shoot without (85) filtration and rebalance for daylight during
telecine. It's not 100% accurate, but it's more than 90% there - I'd say
around 95% accurate.
There's a special filter (I forget which number it is) that's specially
formulated for this use.
The main thing is that you have around a 2/3 stop extra of film speed to
use, which can get you out of a tough lighting spot or two.
Don't forget that after the inital telecine and color correction, you
usually get another go at tweaking the colors during the online or
printing stages. That's usually good enough for jazz, as my old mentor
used to say. Did over 300 television commercials and nary a complaint
from a client.
Of course, on occasion, I have been known to warm up an otherwise
unappetizing sunset with a double or triple 85...
Julian Renner wrote:
Has anyone ever shot tungsten balanced film in the daylight? How blue is
and is the blue refinable when being transfered through the digital
telecine to give an early morning or late afternoon/evening color tone?
anyone knows and is willing to share I would be grateful.
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